Fernand Léger (French, 1881-1955), Nature morte à la clé [Still life with key], 1929. Oil on canvas, 130 x 89 cm.
I am absolutely, completely, utterly obsessed with John Edmond’s work and I think you should be too. Edmonds says that his work is currently concerned with examining the “the external and internal violence that is implicated through the bodies of men on the margins of society.”
Hurrah for images that portray the black male body in a manner that isn’t either threatening or hypersexual.